Origins, features some of the early works of Albor including a self-portrait he created when he was 29 years old. Other major pieces include his Temple and Binhi series which reflect what his elect audience cites as philosophical and contemplative. Writing for Philippine Daily Inquirer, art and film critic Lito Zulueta praised the ‘elemental abstraction’ of Albor.

Zulueta writes, “In a way, Albor’s abstraction, even when tackling the highly worrisome subject of environmental degradation, remains contemplative. As it should be. As Rachel Carson says in “Silent Spring,” one of the bibles of contemporary environmental activism, Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is something infinitely healing in the repeated refrains of nature — the assurance that dawn comes after night, and spring after winter. Albor’s abstraction is confident and self-assured. It is an art that is attuned to the rhythms of nature.”